Today I’d like to recommend my all-time favorite magazine for music recording and production. The magazine is Tape Op. The info-packed pages are invaluable. The price for subscription is free. They’re not paying me to write this review. I truly love this magazine and I’ve been a hooked reader for years.

As a result of recording and producing literally hundreds of demos, I’ve learned that it is always better to “Prepare and Prevent” than to “Repair and Repent.” Here are a few steps you can take to help make your demo recording experience more successful. In this post we will discuss song preparation, rough recordings, session musicians, and getting the most out of your demo production process.

The art of producing songs in the studio involves a tremendous amount of patience and focus. Songwriters should strive to achieve a recording that will be appreciated for many years to come. Crafting and perfecting your production process is different for everyone. It’s important to be aware of what works and what doesn’t. Learn from past experience and always strive to make progress creatively, technically, and professionally.

Today, I want to discuss the importance of using scratch tracks. Scratch tracks are recorded parts of a song that have not been perfected yet. They are meant to be rough takes, not to be used in the final mix. In this article I’ll talk about how using scratch tracks are crucial part of a successful production process. I’ll also go over how to use playlists to easily record multiple takes in Pro Tools.

What more can I say about Elliott Smith? I consider him to be the best songwriter of our time. It’s an absolute tragedy that we lost such a natural talent. He left behind a remarkable but sadly incomplete body of work that receives constant play in my listening rotation.