This is the second article in a two-part series on MIDI and Songwriting. Going beyond the basics of MIDI and how it works, this piece speaks to the songwriter / composer and what kind of role MIDI plays in the creative process. Some of the topics covered here are choosing sounds, time management, and fighting the urge to be a perfectionist.

This article will serve as a do-it-yourself primer for how to approach singing in the recording studio. In today’s independent musical environment, it’s typically the case that you will play the part of not only the artist, but the manager, record label and producer, too. The trick when it comes to getting great vocal performances is to make the most of each of these roles by knowing which role to play and when.

With the state of today’s economy, everyone is looking to save cash and cut corners wherever they can. Songwriters and producers are no exception. Instead of paying by the hour at expensive recording studios, they’re turning to the home recording set up as a way to save money and avoid time-constraints. Having a comfortable space to let the creative juices flow and lay down recordings is great way to keep churning out music during these rough economic times. Today’s topic covers a key component in any home recording set up: Acoustic treatments.

Today’s computer recording technology provides songwriters with the tools necessary to achieve beautifully textured arrangements. One major tool in the songwriter-producer’s arsenal is MIDI. While it provides loads of instrumentation options and editing capabilities, MIDI can also be a perfectionist’s nightmare, causing endless tweaking and draining the creative process.

In part one of this two-part series on MIDI and Songwriting, I’ll cover the basics of MIDI, how it works, and what you need to know. I’ll also show you how to set up for MIDI recording using Reason and Pro Tools.