The Business

Music Composers, Register With a Performing Rights Organization

Posted by Brian Casel  |  April 28, 2009  |  6 COMMENTS

We’re moving right along with our series on making money with production music libraries. Now that you have produced your music for picture tracks and registered your music copyrights, the next step is to register your tracks with your performing rights organization. Why is this step important? It’s how you get paid. This installment will show you how it works.

Freelancing, and How it Benefits Your Songwriting Career

Posted by Brian Casel  |  April 27, 2009  |  2 COMMENTS

In a previous post I proposed 4 reasons keeping a day-job can benefit your songwriting career. This post will tackle the flip-side. Freelancing, or making a living without a steady nine-to-five job can be the perfect support system for the working songwriter. The first part of this post covers freelancing as a career choice. The second part ties freelancing to the songwriter’s career.

What Do You Do? (What’s Your Answer?)

Posted by Brian Casel  |  April 21, 2009  |  9 COMMENTS

It’s one of the most common questions anyone is asked when meeting for the first time. What do you do? For musicians and songwriters, it may not be such a clear-cut answer. In this open question to our readers, I ask how do you answer the question: what do you do?

Copyright Your Music for Picture Compositions

Posted by Brian Casel  |  April 20, 2009  |  2 COMMENTS

The next step in the series on making money with production music libraries is copyrighting your compositions. Securing your work with proper music copyrights is an important part of building your music for picture catalog. This article will offer a simple explanation of music copyrights, and show you how to register your copyright.